Showing posts with label public speaking. Show all posts
Showing posts with label public speaking. Show all posts

Saturday, October 12, 2013

Storytelling Practitioner: How to Use Stories in a Short Presentation

On Friday I had a follow-up coaching session with a student from one of our Executive Speaking Training Workshops (EST). In these follow-up sessions, I often work with workshop students directly in creating their presentations. The private session is part of the package of the EST registration.

As part of my recent binge of hard-core storytelling-practitioner blog posts, I thought I might share a white-board illustration with you that I created while my client and I were working. She found it useful. I did not intend to use this drawing as a blog post, so you are getting a raw piece of my mind here. Be gentle with any comments about my scribbling drawing skills.



how to tell a story in a presentation illustration
The scribbles in the middle read "facts."


My student, who works in inventory control in a large international business, was trying to create a 10-15 minute presentation. I showed her a model that I sometimes use in my own public speaking. It uses either two or three stories to "bookend" or support factual content.

As you can see from the drawing, I suggest that stories serve two purposes in a short presentation. They are the first high points that bring the energy of a presentation back up. They also serve as frames (or hooks or nets- however you want to read it) for the presentation of facts during her discussion. There is a typical ebb/flow level of energy in presentations as you can see in this white-board picture.

There can be either 2 or 3 short stories in this presentation model. The first "bookend" flow (as drawn on the board) uses two stories and is seen as:

 Story A - Fact Set 1 - Story B- Fact Set 2 - Story A.

This second appearance of Story A is either the same type of additional illustration from Story A or a reminder from a lesson suggested in Story A. So, in a perfect white-board illustration I might have written A1 and A2.

Another way to do this presentation is to have a Story C at the end of the presentation that ties together the other stories and facts. I have noted that in the picture with some after-the-fact text added to the drawing.

Story A - Fact Set 1 - Story B- Fact Set 2- Story C

Of course, you will add your own introductory and closing comments, but for our meeting, we didn't need to write these on the board.

Other thoughts: I assume that you already understand that the stories would be connected to the content presented in the facts, perhaps to illustrate the reward or consequences of paying attention to the facts in the two sets. Also, the stories could be a mix of "real life" stories and a world-tale. One story, especially Story B, might be more of an anecdote and not a full story. It depends on your skill and your situation.

This is a good model for a short 10-15 minutes speech. You would adjust the process based on the time you have to speak. I have written about some other presentation models in the past as well.

I hope this is helpful.


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The is the official blog for K. Sean Buvala, storyteller and storytelling coach. Written right out of our offices at Gangplank Avondale.

Friday, October 28, 2011

10 Habits of Good Public Speakers

(Note: I wrote this for another website that wanted a quick article with this title. I'm sharing it with you, too. There may be a tidbit or two within it for you.

Public speakers can motivate, educate, challenge, and entertain audiences. The best public speakers can do all four at the same time. A good public speaker is flexible and enjoys each audience's diversity. It is an honor to speak with an audience; the best public speakers never forget that.

Always strive for excellence when you are speaking in public. In no particular order, here are 10 behaviors that public speakers should incorporate into their professional conduct.

A great public speaker. . .

1. . . .meets the audience.
When I speak at an event with other presenters on the schedule, I am always amazed that the speakers congregate backstage and away from the audience. While prep time is always needed before an event, make it a point to go out and casually mingle with the audience, listening more than talking. You will meet some great people, and more of the audience will feel like they already know you when it is your turn to speak on stage.

2. . . .knows their subject matter.
Speak about what you know and subjects that capture your energy and focus. You should know your subject well enough that you could spontaneously speak without notes in any situation. Be devoted to the subjects you speak about.

3. . . .uses sound equipment.
While ditching the microphone may seem more casual, I see and hear many speakers in my coaching work who insist they do not need a microphone. Making your audience strain to hear your words is not respectful. Any group gathering that cannot fit around a conference table will require a microphone.

4. . . .dresses comfortably for the audience.
Keep your clothing choices just a step above the casual or formal dress of the group. For example, if you expect an audience filled with blue jeans, you might choose business casual attire.

5. . .listens to other speakers.
Just as you want to meet an audience before events, it is important that speakers participate in those events. In particular, make it a point to hear the speakers before you on the schedule so that you can make good tie-ins with the group's experience.

6. . . .incorporates learning styles.
Not everyone in your audience can learn from a singular presentation style. Mix your presentation with audience activities, slides, stories, and direct input.

7. . .uses good speaking mechanics.
Are you using first-rate nonverbal techniques? Vary your pacing, tone, eye contact, gestures, and movement as your presentation progresses. Be interesting to watch.

8. . .customizes presentations.
It was popular advice a few years ago that you should be a speaker who developed a single presentation and presented that to every audience. In addition to being arrogant, it is rude to your audience and is a way to guarantee you will not be rehired. Tweak your presentations for each audience.

9. . .uses appropriate humor.
While the days of the "start with a joke" are well behind us, it is still good to use your own natural humor- staying away from traditionally sensitive topics such as religion or politics. Rather than try to be funny, simply share things that are funny to you and let the audience decide what they will laugh at.

10. . .shares good stories.
Good stories, used to illustrate your points, can help an audience remember your presentation. Be on the lookout for good stories from your own life and literature that can be used for future presentations. Learn good storytelling techniques to adjust each story for your audience. In my "Storytelling 101" Eworkbook, you can learn how to develop and present stories in a step-by-step manner. 

Use this list as a place to start, but I encourage you to develop your own habits that will make you an excellent speaker.

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Sean Buvala is a "hard-core how-to-do-storytelling coach" working and teaching internationally since 1986. He has served various clients with big names down to the smallest one-person business. He is an award-winning storyteller who can help you develop and fine-tune your business speech. To schedule your coaching session with Sean, fill out his contact form on his website at http://www.seantells.com.

Thursday, December 27, 2007

Adore My Work

Last night, at one of the family Christmas gatherings, the brother of my brother-in-law was telling us how he “adores” his work. My in-law was astounded that anyone could “adore” the work they do.

His brother works for a company that is, essentially, a playground supply shop for the recreation needs of adults for such pastimes as skiing, beaching, outsdoorsing and so on. He said that people come to his store ready to spend money, eager to buy new toys and for the fun and excitement that the items in his store will bring to their lives. Hence, his customers are always happy and they see him as someone who can help them meet their needs.

I chimed in with the fact that I also adore my work. I don’t like the traveling, it’s not romantic. To survive, I have learned to think of the traveling as part of the workday and not simply a conduit between A and B. By that I mean I’ve learned to think, “Today my job is: travel.” That helps.

But once I arrive where I am to be, I adore my work. I love the audiences. I love the sounds an audience makes when they “get it.” I adore the moments when one of my corporate storytelling clients says, “That was the lightbulb for me!” In those same corporate settings, I am excited about how those clients start to apply the integration of story with their mission statements.

I adore this job when the scruffy teenage boys, at the end of a story, say out loud to each other “Damn, that was a pretty good story.” I adore those moments when the teenage girls stop (unconsciously) in the middle of their “texting” to watch my story finish.

I adore my work when school administrators say, “We’ve never seen anything get the attention of our (parents) (students) like your storytelling.” I adore it when little kids see me in the library or store and say, “Hey, you came to our school and you told us the story about the moose and the loud cricket and all those animals and the moose got bit on the butt and he jumped in the air and the fish had no water and then he fell on the ground and the water came back up and then the fly......”

I adore my work of promoting other storytellers when a sponsor writes to me to tell me how through Storyteller.net they found the perfect teller.

I adore my coaching work when my coaching clients call me and tell me they had a “nirvana” moment during our coaching session.

I love my role as "community service" work when someone at Storyteller.net sees their new page unfold with pictures and audio and they are so excited by that. I am crazy wild about storytelling when a Storyteller.net directory member sends an Email expressing shock that they got booked via their listing with us. As my kids say, “no duh!” If you are a working storyteller and you are not listed at Storyteller.net, you are missing jobs. Period.

I adore my work as a storyteller. Thanks for letting me be a part of your life in some way.

Saturday, July 07, 2007

Listen to the Luckiest PodCast Ever: 07/07/07

It’s time for the luckiest podcast of the year! The 07/07/07 podcast is here. Included are two "luck" stories recorded just for this podcast by Sean Buvala, a piece of a wonderful story by Dolores Hydock, and a coaching moment about voice control for stage and recording booth. Listen in (it’s an mp3) and let the luck spread! You can find the CD’s mentioned in the podcast at our podcast sponsor of storytellingproducts.com: "Calling Out a Rising Sun" by Sean Buvala and "Silence" by Dolores Hydock. Visit Storyteller.net for more Podcasts or you’ll find us as well at Itunes. You can learn more about Sean at seantells.com.

Lucky, lucky you! Click Here Now to Listen or Download.