The Selkie and Her Children

The Selkie and Her Children: A Story by Sean Buvala. 

Excerpt:

The man looked out toward the beach and there he saw a bonfire and around it were dancing the silhouettes of a woman and her children and as he looked about he saw that there was a pile next to them and so he figured that these must be selkies and that pile was their pelts. He knew that if he took their pelts away from them, they could not return to the water and that he could tell them what to do and so while they were dancing silhouetted against the flame, the man snuck up behind them, grabbed the pelts in his arms, and held them tight.

Immediately, the woman knew that their pelts had been stolen and so she turned to the man and she said, "Sir, please give us those pelts back. We must have them."

He said "No, you are on my land. This part of the land here is mine and you have trespassed upon it. No, you will do as I say."

And she said, "Sir, please, the seas from which we come are rough and dangerous for my children. We need to come here."

And he said, "No. I have told you. Here is what I am going to do. I'm going to take your children and lock them away. You will become my wife and you will do as I say."

She begged the man to return the pelts but he refused. And so, she reluctantly agreed to his terms.

He took the children and he put them in a cellar. There in the cellar, they could not hear the sound of the ocean. There was, however, a window high at the top of the cellar. When he would come back every day bring food to the children, he would open the window and leave it open for an hour. He would then close it, He would leave the cellar, lock the door behind him, leaving the children behind. He forbid the selkie woman from ever going to see the children, lest he take them away in secret to a place she would never know.

He took the pelts that he had stolen from them and he put them in a chest, keeping them under lock and key. The selkie woman, meanwhile, became his wife and, as you can imagine, she was miserable. She did not give him any children of his own. Every day, she would go to the edges of the ocean, sit upon a rock, and simply lament the loss of her sea children.

Watch the video for the entire story.  CC video.

The Journeyman Storyteller: Ready for the Next Step?

Journeyman 1: The Oral Storytelling Realities

I've written a post that has a very specific audience: for those that are making some part of their livelihood as a working artist. Since it is more "insider" than other posts on this blog, I have published the entire article over at http://artistmarketingworkshop.com/storytelling-journeyman-ready/

Here is an excerpt from the long article. Please come take a look if it is of interest to you. Thanks. 

"There is a space in the arc of the careers of all performing artists where one transitions from wide-eyed beginner to being an effective, talented Master.  In between those two stages is the important step of Journeyman. . .

This article is very specific to the oral-storytelling journeyman. You have passed through those first apprentice-based stages, taken some of the good myths and standards of the art. Now you are stepping up into the day-to-day realities of making some of your income as an artist.

Here are a few of the myths (both implicitly and explicitly taught) that many next-level storytelling artists have found they have to work through:

1. Everyone is a storyteller!

2. Stories choose the storyteller.

3. Your storytelling should always make you feel good about yourself.

4. Do what you love and the money will follow.

5. If only X would happen, then I would be successful!

Finally. . .

As I write about these five very popular myths, I am more aware of one thing. . ."

I've also recorded this post as an audio file. Visit the page linked above to hear it. 

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The is the official blog for K. Sean Buvala, storyteller and storytelling coach.

Once

Two nights ago, when I was telling my version of Iron John, I began by saying, "Once." Suddenly, I was overcome by the possibilities of the word. I had to pause and even said to the gathered group, "For some reason, suddenly, the word 'once' is taking great root in my brain at this very moment."

In my singular moment of the word "once" I thought of Hawaii teller Jeff Gere who tells a story about a king who wanted to know the essential nature of time. In that story, he sticks his head in a bowl of water and lives a lifetime before being snapped back into this world, nearly avoiding drowning. When I had that "once" moment on Monday night, I suddenly understood Jeff's story. Inside that moment of "once," I remembered all the stories that I have told. I remembered the possibilities of what "once" means. I thought that just that simple word can mean so much before and so much yet to come.

I thought about the other times I have told Iron John, a story I developed for my work with adolescent boys. I recalled one of the first times I told the story and then debriefed with the boys after it. The kid who had the most to say in that conversation was one that everyone else thought of as a problem boy. "Problem boy" of course meant that his teachers said he did not sit still in class and as an adolescent was too big to try to control in a typical classroom. However, in this discussion of Iron John, he was all over and immersed in the story. He caught nuances that I had missed, found connections others could only shrug at. Amazing kid.

I thought of my gig this weekend where I will be working with freshman boys (14-15 years old) who are working through a spiritual development process. I thought about how honored and lucky I am to not only use my storytelling as "business storytelling" but to be part of an opportunity to engage in a "touchstone" with 40+ young men and their leaders. I'll be telling them the whole version of Iron John.

I looked at the people gathered to hear me tell my story. Many I knew well. I had to stop and say, "I can't tell you how much that one word, 'once,' just meant to me." For them, it was fleeting. For me it was a very long "once."

I know that this is an ethereal post. But it is what happened to me. It is in these moments that I really remember what "once" drew me to this art form. It's who I am.

The official blog for K. Sean Buvala, storyteller and storytelling coach.

Today was Probably the Last $65 I Will Send to Tennessee

A Fairy Tale for the Beaten, the Bored and the Board.

Once upon a time, there was a young woman named Votary. Her mother had died and left her alone with her father and her younger sister.
The father grew in love with another woman who also had two daughters just a bit older than Votary. The father married this new woman and they blended their families together to create a new family in the woman's house that was tucked away in the middle of nowhere.

Votary was no slouch. After her mother had died, she learned many skills to the running and tending of a household. Because of this, she joined in happily with the new household and worked with her new step sisters under the directions of her new stepmother. They all lived together for a while in their very small house.

Things did not stay so smooth. Each day Votary was told to drag water to the house in buckets. Each day, she brought in 65 buckets of water! One day she said to her step-mother, “Mother, right near the river is a huge house. It has rooms for all of us and even some space to grow. Since it is near the river, we would be able to get water to the house faster and even more frequently. Think of the things we could do being so close to the water and in a much a larger house.”

“Silly young child,” replied the mother. We cannot move. There is so much history in this home, why would we want to be anywhere more convenient? Isn’t this enough? Now, hush, silly one, and go fetch some water. We’ll dry up without that water. By the way, have I mentioned to you that we seem to have a leak in the barrel? Please be sure to bring some extra water, too.” And with that, the mother smacked Votary on the behind with the broom.

Votary tried to carry on. One day, while she was cleaning out the fireplace, she discovered a new way to complete the job. It was not only faster, but the results were a much cleaner fireplace. As she shared her idea with her step-mother, the mother replied, “Oh, so naive you are. I’ve had your sisters look at the problem. I had a meeting with them while you were off doing something else. They can’t find a single thing to change. As you know, they have been here since the house was built from the bones of dragons. You couldn’t possibly know more than them, they are so wise, being your elders and ancestors. But, if you like, you may have that little space outside, on the fringe of our land, to try out your new idea. Don’t make too much noise and remember to always be a lady. Run along, so that I and my daughters may talk about the past.” And with that, the mother smacked Votary on the head with a piece of kindling from the fireplace.

Votary was sad and sat outside on a tree stump. One of her step-sisters came to her and placed an arm around her shoulders. “Dear,” she said, “ do not worry about the needs of the fireplace. I do think your idea is wonderful, but my sister has been cleaning out the fireplace for so long that there is no way we could possibly let you make that change. Here, have some sweet chocolate. You’ll feel better I am sure.” With that, the older sister patted Votary on the head and walked away, leaving the chocolate bar on the stump. Votary picked up the chocolate and took a bite. Ouch! And with that, she cut her tongue on a sliver of ground glass inside the chocolate.

The next day, as Votary carried one of her buckets of water to the house, she dropped it! It fell to the ground, spilling the precious water everywhere. Votary carried the bucket to the house and asked her step-mother if she knew how to fix the bucket. “Yes, of course I do. Someone long ago wrote down the instructions and I have them here in the house, in the magic box in my bedroom.” replied the mother.

“Oh, what a happy day! May I read the instructions so that I may repair the bucket?” asked the broken-bucket girl. The step-mother replied, “Of course you can. You must first bring me another 25 buckets of water and you must clean out the sink twice a day. Once you have done that I will let you have access to that page of the magic book. If you’d like to read anything else, you’ll need to bring in more water.” And with that, the older woman poked Votary right in the eyes with her fingers. Votary, however, was able to find the instructions she needed at a neighbor’s house and she did not need to bring any extra water at all. When she told the step-mother of this, the step-mother changed the requirements to only 5 buckets of water and the cleaning of the bird cage. Votary rarely read from the magic box.

The next day, Votary’s step-sisters could be heard clapping and cheering. As Votary stepped outside, she saw that her young twelve-year-old sister was carrying a small bucket of water from the river to the house. The older sisters cheered at the youngest sister, shouting encouragement and suggestions. Each day this repeated, each day the little sister becoming better at carrying her bucket of water. However, one day, the little sister dropped the bucket and yelled out, “Damn!” The older step-sisters were shocked. The youngest sister looked at them and said, “I am sorry, I was distracted. I met a boy down by the river and we spent the afternoon together....” Votary was captured by the words her sister spoke, finding joy in her sister’s new discoveries of life.

“EEEK!” cried the step-sisters. “Stop! Do not talk like that! What happened to the cute little girl?” they asked in unison. And with that they cast a magic spell together which caused the littlest sister to fly up in the air and land in a locked tower far away. The sisters cast such a powerful “evasion spell” that the little sister would not be able to come out of the tower for eighteen more years. When the sisters cast the spell, sparks flew from their fingers. And with that, Votary was struck in the face with fire which left scars upon her visage.

Votary’s father, who was often away, caught up with her the next day. “My dear child! My wife and her daughters tell me of your sour nature. They say you have burns upon your face, bloodshot eyes, a vicious tongue, disheveled hair and dust upon your backside. I must insist that you have more decorum. Don’t you know that these relationships take time? Isn’t your new family full of nice people? Please be polite and clean up your act.” He quickly jumped on his horse. His horse then reared up and galloped away. And with that, he left Votary in a cloud of choking dust.

Votary took the words of her father to heart. She returned to the home and worked as she was told. She developed an idea to cook their dinners faster and easier. She was told that meals could only be made one way and any other method would not create real food. Her step-mother threw the cold meat at Votary, hitting her squarely and painfully in the back.

The very next day there was a grand party in the neighborhood. Her step-laws created fine foods for the party using the very methods Votary had suggested. “Look everyone! Look at our new meats and cheeses! Enjoy the fruits of our labor!” When Votary picked up the meat, the searing juices burned her fingers.

Her mother-in-law saw the pain on Votary’s face. “Oh, dear one. I am sorry that you are so hurt. Perhaps you just need to know how much we love you. Listen as I say it again: I- l-o-v-e -y-o-u. Today, and today only, you just need to bring 50 buckets of water to the house. I hope that eases your pain.”

At last, with her sister locked away, her body burned and battered, her contributions denied, her labor increasing, Votary could take it no more. She packed her bags and set out from the house.

“What is this?” screamed her new family members. With anger they continued, “You must have a secret, you must be out to cash-in on all you have learned with us. How can you leave? You ungrateful wretch. We gave you chocolate and everything.”

Votary walked down the road as one last tomato came hurling at her and splattered across the back of her head. She heard her step-mother yell, “We’re tired of you and your secret agendas!”

Votary walked on from her house tucked away in the middle of nowhere.

The step-family and even her father have provided the moral of the story: Votary is a witless, selfish oaf. She should stay where she is loved by the elders who hit her. Maybe if she just tried harder they wouldn’t have a reason to hurt her. She is a self-centered, angry, blood sucker whose motives are unclear. Maybe once she is 50 she’ll understand that she got hurt because they loved her so much.

...or maybe they are wrong.

The official blog for K. Sean Buvala, storyteller and storytelling coach.

On The Storytelling Journey. Happy 2008!

“On the journey to Truth,
Stories are the bridges between
there and here,
far and near,
no and yes,
fear and understanding.”
-Sean Buvala

Special Enchanted Edition Podcast: A Storyteller Looks at the Enchanted Movie

What really would happen if fairy tale characters took the leap into our world? Would modern Americans be ready for all that darkness? The premise of Disney’s newest movie "Enchanted" gets a fresh look with Storyteller.net director and professional K. Sean Buvala in our latest edition of our podcast at storytellerpodcast.net.

Listen to the podcast now when you click here right now!

Avondale, AZ November 18, 2007- "Fairy tales showing up in the middle of modern life? That’s not new. They’ve been there, in all their twisted goodness, since the beginning of humanity. Fairy tales have been making the leap into the ’modern world’ since human beings first experienced their imagination and understood the differences of good and evil," so says Sean Buvala, a full-time professional storyteller and director of the premier Internet storytelling site, Storyteller.net. And he ought to know. He’s been travelling the United States for more than 21 years sharing tales with adults, teens and children.

In the latest Podcast at Storyteller.net, Buvala discusses the role of darkness and challenge in fairy tales. "In the new Disney movie, ’Enchanted,’ the characters get trapped in modern day situations and the movie appears to ask the ’what if’ question. Stories, and fairy tales in particular, however, have been asking that same ’what if’ question for hundreds of years. What if we were confronted between the choices of morality, doing what is right and selfless behavior and the more appealing less sociable behaviors? These confrontations are the core of the meaning of fairy tales."

In a genre-busting premise, "Enchanted" puts the pure-love and doe-eyed behaviors of its main characters in the midst of our own seen-it-all society. However, Buvala says these calm, loving behaviors would be nearly unknown to fairy tale characters if they came to life. "In the real versions of fairy tales, there is very little of these types of Disney-nice actions. Rather there are behaviors of deceit, treachery, child abuse, punishment, rewards and swift justice. Fairy tales aren’t the politically correct or sanitized stories of animation. They’re hard-core, ’act right or else’ ultimatums in many cases. Children punished by death, people doomed to walk the earth as ghosts for stealing pennies and losing true love for minor infractions: these would be the behaviors fairy tale characters would expect to see in modern life."

The irony of a Disney movie parodying the contemporary understanding of fairy tales is especially fun for Sean Buvala. "The Brothers Grimm would not even recognize the Disney animated versions of ’Sleeping Beauty’ or ’Cinderella.’ In many ways, it seems that Disney made ’Enchanted’ to poke fun at the one-dimensional nature of fairy tale characters. However, those wide-eyed people in our imaginations are Disney’s own spawn. They must be having a fun time ’dis" Enchanting their own dragons."

Sean goes further in depth regarding fairy tales in modern life and examines the power a genuine storyteller has with a live audience in the latest podcast at Storyteller.net. The free-of-charge podcast can be found on the front-page of the website at www.storyteller.net or maybe be downloaded at www.storytellerpodcast.net.

Will Buvala be seeing the "Enchanted" Movie? "I’ll be in the Disneyland area next week. Maybe I’ll go see it right there in the Downtown Disney attraction," the nationally travelled storyteller says with a wicked grin.

CONTACT INFORMATION:
K. Sean Buvala
Storyteller.net
623.298.4548
sean@storyteller.net
http://www.storyteller.net
http://www.arizonastorytelling.com
http://www.storyteller.net
http://www.seantells.com

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September 2007 Podcast from Storyteller.net

Our latest Storyteller.net free podcast is now available. The podcast features excerpts from Storyteller.net director Sean Buvala’s keynote presentation to the Avondale School District’s Staff Gathering. Some 700 people enjoyed Sean’s stories and commentary. The September 2007 podcast includes the stories "The Emperor and the Dragons," "Catching Fire," "The Story that Does Not End," "Crow can Taste Good." There’s a "coaching moment" on how to get people to turn off their cell phones, too. Sponsored by Storytellingproducts.com. This pod cast features storytellers Sean Buvala and Buck P. Creacy.

Listen in when you click here now. You can find the podcast at Itunes. You can find our previous podcasts at this link here.

The CDs and books mentioned in the podcast can be found by clicking these links:

Eleven Nature Tales by Pleasant Despain

Three Minute Tales by Margaret Read MacDonald.

Heart Stories From the Wrong Side of Town by Buck P. Creacy

Seven Ravens: Unvarnished Tales from the Brothers Grimm by K. Sean Buvala

Listen to the Luckiest PodCast Ever: 07/07/07

It’s time for the luckiest podcast of the year! The 07/07/07 podcast is here. Included are two "luck" stories recorded just for this podcast by Sean Buvala, a piece of a wonderful story by Dolores Hydock, and a coaching moment about voice control for stage and recording booth. Listen in (it’s an mp3) and let the luck spread! You can find the CD’s mentioned in the podcast at our podcast sponsor of storytellingproducts.com: "Calling Out a Rising Sun" by Sean Buvala and "Silence" by Dolores Hydock. Visit Storyteller.net for more Podcasts or you’ll find us as well at Itunes. You can learn more about Sean at seantells.com.

Lucky, lucky you! Click Here Now to Listen or Download.

Red Pen Storytelling Tool

Crafting a story is an essential skill for both beginning and experienced tellers. Crafting, much like sculpting, involves knowing what to trim away and what to keep. 

For storytellers, our sculpting tools should include the red “cross it out” pen. In my youth, I once heard an old comedy album where the comedian said, “When you are trying to tell a story, try having a point. It makes it so much more interesting for an audience.” I’ve attended several storytelling events of late that bring that old comedy routine to mind. 

I’ve wanted to hand the tellers a giant red pen, hoping they’d cut out, cross out and eliminate the bloatedness of their tales. Although it’s not always possible to have a clear-cut point in telling folktales or world myths, storytellers need to know “why” they are telling any particular story. If not, stories end up as rambling and meandering exercises in hearing ourselves talk. When that happens, the stories lose interest, and our audiences just lose interest. 

Doing the red pen routine with personal tales is easier, so let’s begin there. 

First, understand that storytelling is an audience-centered art form. It’s not a form of therapy for the storyteller. 

 Grab yourself a piece of paper and do this exercise with me. 

First, choose a personal tale from your repertoire. 

Then imagine the type of audience you’ll be telling to and with. 

With those thoughts in mind, ask yourself, "why am I telling the story?" What is my point? Identify this first thought, this singular crystal-clear point, and write it across the top of the paper. Use large, bold letters. 

 Underneath those big bold letters, write an outline your story. What’s first, second, third.....sixth, etc? Try to include all the elements of your typical telling of that story, including those tangential side trips you might be normally inclined to make. 

Now comes the step so many tellers are unwilling to make. Grab your red pen. Re-read your main point. Go down your outline and ask yourself for each numbered item, “Does this item illustrate or lead to my main point?” If it does not, cross it out. 

 This is where some storytellers start reaching for the oxygen mask. “But, what you want me to cut out is (funny, cute, touching, meaningful, pretty, insightful, witty, makes my grandma laugh, tells people I love dogs, will save the world, etc). I couldn’t cut out that part.” 

Yes, you could. 

Yes, you should. 

If it does not move your story towards your main point for the audience you are addressing, draw a line and drop it from your story. Most likely, the parts you’ve redlined are or could become stories in their own way. 

 The process I have just described is a good exercise to do with your storytelling coach. Ask that person to help you identify and redline the excessive parts of your story that drag down your work. One of the challenges with storytelling as an art form is our excessive focus on internal (“How does your storytelling make you feel?”) coaching, so it may be hard to find a mentor that will be honest with you. 

You should assure your coach that having an opinion is okay. 

 This ability to redline one’s work to focus on the audience's needs is essential for good storytelling. Tellers unwilling to redline their stories just leave me wishing for the door. 

A storyteller who tells a story that has been redlined and crafted leaves me wishing for more of their craft. Isn’t that the goal- building a love for stories and storytelling in our audiences

May 2007 PodCast Posted

Here's another storytelling Podcast from Storyteller.net and some of our storytellers. You'll hear Brother Sun, Sister Moon do their version of "The Virgin Queen." You'll hear a coaching moment recorded live at on of my workshops. You'll also hear Eva Grayzel do her musically enhanced version of "The Stone Cutter." Come listen now. Click Here to listen.

Brought to you by our sponsors at storytellingproducts.com and fulltimestorytelling.com. Thanks for listening.

Business Storytelling: Are You Ready for Five Minutes of Fame?

Here is my latest challenge for you.

Let's pretend that the Woman who runs the World's Largest Afternoon Talk (WLATS) show wants to talk about your business on Her show. You Know Who I mean. She is going to randomly pick an employee from your organization to speak.

Let's pretend that YOU have been chosen to represent your company on Her WLATS show. You will have only 5-10 minutes on the show to share your experience and to convince people that they should be calling your company for their needs. Like it or not, 10 minutes on that show can translate into bazillions of contacts. So, you have 5-10 minutes to grab the attention of the audience.

What would you say? If you said you'd talk about your financial security, how nice your buildings are and your 24 hour service, then you lose. All of your competitors say they have those, even if they don't.

You've got 5-10 minutes. What story, the one that touches the heart and imagination of the audience, will you tell? Stop now and choose one. If you have taken my training work, you have your Intentionality Journal to help you. My training courses give you tools that work.

Side note for some of you: This is *not* an exercise in the "elevator speech" process. "Elevator speeches" are dead. Relationships are alive. Stories build relationships.

1.Choose your story.

2.Choose your point.

3. Choose where the story will start.

4. Choose the other episodes that help you get your point across.

5. Choose the ending. Maybe you go back to the opening sentence to close?

6. Find someone and tell them your story. Open your mouth and tell the story. The only way to learn is to do it.

This exercise is for everyone in your company. It is for the Executive Team. It is for the new cashier who was just hired this week.

"Hah Ha, Very funny. WLATS is going to randomly pick an employee? Oh, that will never happen." you say. Do you want to bet? It is already happening every day. Potential customers, guests and potential employees randomly meet your staff every day. Are all of your current staff ready to tell a story or two?

Executive People: Will you model your 5-10 minute talk-show story for the rest of your company within the next seven days?

Of Thank You Notes, Colored Pencils and Corporate Storytelling

Chapter One of this Generic Story: The Thank You Note
The latest thank-you note I got was from a 7th grade boy. It was written with one of those pencils where the lead changes color every few strokes. It's like a box of crayons exploded all over the letters. Every kid thinks they are the first person to ever write a note with those kind of pencils. Adults couldn't have possibly ever had something so cool as this. In his cascading colors note, he told me that he and his friends thought my stories I told in his school were "exciting." I, of course, thought this note was a classroom assignment. You know, something like: write the Storyteller and say "thank you." Turns out, this was a spontaneous action on this kid's part. He wrote a note, put it in an envelope, got a stamp and sent it. Getting these notes, from adults and kids, is one of the things I really like about being a professional storyteller.

When's the last time your (teenagers or students) experienced anything that made them hand write a note...for which they were not getting graded? When was the last time the teens in your life had something that wasn't electric grab their attention so thoroughly? That is the power of live storytelling and that is what I do.

Chapter Two of this Generic Story: Corporate Secrets
I'd like to share with you a little reality. Your customers aren't paying attention to your advertising and sales slogging anymore.

They've heard it all before. Numbers no longer slake their thirsts. If you are using the "we're number one" bit, that doesn't impress them. Your "100's of locations" map doesn't matter.

You've burned out their patience and their "Broca's" region is turned off. Your old "hard skills" have worn down to fracturing thinness. Yawn.

I know, you want to hold on to your slick presentation folders, your staff full of degrees, your nice office building. Your professional self-image. Yikes.

So, what are they, your customers, paying attention to? They want you to "surprise Broca." Go ahead and Google that. They're paying attention to and they are thirsting for, the one thing or two that sets you apart. This thing that will scream past their boredom, grab hold of their right-brains and poke them squarely in their mind's eye.

They want your stories. YOUR stories. What makes YOU in YOUR organization exist? You know, if you were really honest about it, your company is not that much different
than your competitors. Go on, no one's looking. Be honest. Let go of your "corporate mythology" of how your Goliath-ness is David proof.

What is different? Your stories? Do you have the most compelling reasons, narratives, records of what keeps your current customers with you? What's the story?

Put my money where my mouth is? What's my story? There are lots of storytellers out there. Principals at schools get packages from storytellers all the time. What makes Sean different? Here's one of many things: I capture the attention of Junior High kids so deeply and so that they run to their textbooks and computers when I am done to learn more about the literature and world folktales that I've been teaching and storytelling. When I work with teens, they write me thank you letters afterwards. Yes, handwritten letters. It's amazing. 13 year olds (even guys) writing, even when they don't have to. That's what sets me apart: stories about how teens are motivated to read, research and write when I am done in the classroom.

Hold on to your slick handouts and your Powerpoints. Facts are okay and needed. What your customers are going to remember are your stories that frame and focus your number and your facts.

Relationships sell. Relationships are built on our stories. They who tell the best story get the sales. They who tell the best story get the most conversion and buy in. This is a hard skill. "Connecting" is no longer an optional skill in business.

And after all my blathering above, what you're going to remember is the story about the multi-colored-lead pencils. Why? Because you probably had some when you were a kid or you've bought them for your own kids. Connecting.

April 2007 Podcast is Here!

I’ve posted our latest podcast from Storyteller.net and Seantells.com. The link is below or you can find it on Itunes. You can also find it on my Myspace page.

We did something a little different with this podcast. I recently spent a day as guest artist in a 7th grade classroom. That’s with young people about 12 and 13 years old. I recorded large portions of the day. I’ve narrowed those recordings down to a 35 minute podcast. There are four stories in there and a coaching moment. Even the coaching moment comes from the day with the kids.

You’ll hear this again on the podcast, but I wanted to talk a bit about this here. As you know, those of you who have taken my storytelling training or coaching, that although you as a teller and your stories may remain consistent, when you change your audience you change your style. So for this group, I was speaking specifically to a small group (25 or so kids) in a small room. It was a close and intimate environment as oppsed to a big stage or an entire school assembly. The kids had also just finished a week of Arizona's mandatory testing, so they, and the teachers in the school, were pretty exhausted. We like to describe these mandatory tests as "no child left untested." We had a casual, informal day together.

The risk anyone takes when they put forth recordings of themselves is that the listeners will think, “Oh, that is the way they always tell.” That’s simply not true of any storyteller anywhere. Well, at least the ones who understand their craft.

As you listen to this piece, keep the above paragraph in mind. Like all tellers, I have a variety of styles to choose from (and have chosen from) when my audience is 2 or 2000, aged 12 or 72, big stage or small classroom.

And, before you write me (ha ha!) about the Hades and Demeter comment, please know that I know it’s Persephone that brings the Spring, not her mother.

Our podcasts are sponsored by StorytellingProducts.com. Please stop by and support our work by purchasing a CD or Book from there. Thanks.

I hope you enjoy this month’s podcast. Click here to get it now.

Happy Birthday to Storyteller.net

Happy Birthday to us at Storyteller.net. This month, April 2007, Storyteller.net turns 10 years old! Ten years is forever in Internet terms. Excuse me for a moment as I enjoy this. It is rare to read a note from me that is so "yay for us" in nature, but I think we deserve it this time around.

I am proud of what we have done and what we have achieved. Others have said, and I agree, that Storyteller.net has helped storytelling move forward not only on the Internet but in the world community as well. I had already been working nationally as a storyteller for 10 years when we created Storyteller.net. As a pro, I knew what needed to happen on the Internet for storytellers and was fortunate to be able to create that. Storyteller.net has never been "Sean's site." Rather, it's been "our site," tellers both near and far, since the beginning. Our remake in 2002 just made a good thing better. Storyteller.net has been a labor of love for many years, a gift to tellers and our guests.

We were the first to offer a comprehensive online directory for storytellers initially at no cost and now just $25 per year. More than 400 tellers have used or are using our services and we're glad to have given you a home. We've watched tellers transition and grow from simple, beginning local tellers to some of the best nationally-travelled tellers in the business. What a joy that has been.

We were the first to offer a diverse collection of online audio stories, free for listening for audiences all over the world. There's also a growing collection of written stories on our site. We were the first with an online, no-charge events calendar.

We've had two editions of the Storyteller.net store, with our current store at StorytellingProducts.com going strong. Again, if memory serves me correctly, we were the first to offer the ability for national online sales to the local tellers of the world. There's some imitators coming along, but we were the first to "level the playing field" for storytellers everywhere.

We were the first to offer the pod-cast like Amphitheater with storytelling interviews and performances. Yep, we were doing "podcasts" before they even had a word to describe "podcasts." I remember my business partner telling me that I was "crazy" to do those Amphitheaters and then several days later saying he thought the idea would prove to be brilliant. Little did we know that what we were doing was very far ahead of the Internet pack.

In ten years, we've had a variety of other firsts. I always enjoy reading when another storytelling organization or individual promotes their idea as "the first ever..." when we've been doing it since 1997. Lots of people imitate our model. We're pleased to be able to have offered so much, usually at no or very little cost, to so many people. Thousands of people each week come and take advantage of everything we have at Storyteller.net. We're glad you are here.

Watch for more changes in this our 10th Anniversary year. Over the coming weeks and months, we'll be sharing with you reviews and comments from our guests and members. We'll also be introducing new features to help you learn more about the Art of Storytelling. We have a live event (they call it "brick and mortar" in 'Net lingo) in the works that I think will be one more risk-taking, cutting-edge offering from Storyteller.net, one we hope will help change the way we all think about the nature of storytelling and who the "best" in storytelling are or will be. Whew! I am nervous just typing that one out!

I think you'll be pleased, tickled and challenged by what's over the bend for the next ten years.

Thanks for indulging me in this birthday letter.

Thanks for being with us.